There were plenty of coneflowers in the back garden at the Aiken County Historical Museum where I composed Half Cone, but finding one that appealed to me artistically wasn’t easy. A bit of frame placement experimentation helped lead to the discovery of a perspective that I hadn’t previously considered. I felt that reducing it down into the best colors and shapes (by eliminating portions of the flower), created an interesting abstract. I liked how the sharp, pointed areas are calmed by the smooth, soft arcs which produces a nice balance. I was also very aware of what was being removed from (and what was permitted to remain in) the frame. To assist with the aesthetic equilibrium, I kept the left and right side spikes balanced as much as possible. The high level of detail allows individual pieces of pollen to be seen.