All of the pieces in this post are from the same box turtle at the Aiken County Historical Museum that I posted about previously. He let me get quite close to him without pulling inside his shell or trying to scuttle away. These naturally abstract patterns come from his back and were created by pointing the lens down toward his shell.
I was attracted to the area in my Expand composition primarily because of the colorful patterns. The main portion of the piece is a single scale with a darker edge that marks its boundary as it contacts the other scales around it. I loved the lines that trace the general outline of the scale and wondered if they were like the rings of a tree that could be counted to determine the age of the turtle. It certainly appeared to me that as this guy grew, his scales got bigger and, at some point, left an indentation that marked the end of a specific life period. I also marveled at his toughness. Something may have tried to eat him and, if so, perhaps their teeth punctured the main scale causing it to break and form a depression.
For my Armor composition, I slid the camera over to the left, switched the orientation to horizontal, and recomposed. While the pattern on the left scale is quite distinctly different from the pattern on the right, artistically, I felt that they worked well together.
I loved the pattern created by the yellows and oranges in Shield. For this piece, I composed down his spine. I loved how the top color blobs appeared to be being pushed away from the area where the two scales meet. As if the force of the bottom scale colliding with the top scale caused everything to shoot outward. The design of the lines in the top scale increase that feeling by having the appearance of waves that grow out and away from the epicenter.