Macro Abstract Wood Surface And Knot At Hopeland Gardens In Aiken, SC

Benched

When I moved to Aiken there was a huge Deodar Cedar tree on the south side of the Aiken Thoroughbred Racing Hall of Fame and Museum.  Not only did it have multiple trunks, the tree’s individual limbs were quite large (bigger than most of the trees in my backyard).  What made it even more interesting was how the pieces had grown up and out in that location.  The area they spanned could have easily been more than 20 feet across.  By all indications, the tree was a very popular spot for families and visitors to create snap shots or vacation photos – especially since with a little effort you could easily climb into the heart of them and find yourself standing several feet above the ground.  At some point a portion of the tree died and had to be removed.  Then a really bad ice storm came through a couple of years ago.  Aiken county was one of the hardest hit areas in the entire state and Hopeland Gardens took a serious blow.  Among the casualties was their Acacia, too many limbs to count, and what was left of the much beloved tree.  Fortunately, when the original paring was done, a portion of the tree was preserved, and, as a form of remembrance or dedication, it was used to create wooden benches that are placed near where the tree originally stood.

 

Macro abstract wood surface and knot at Hopeland Gardens in Aiken, South Carolina
Benched

To purchase a print of Benched click here
To view a larger version of Benched click here

As a color junkie, I’ve been attracted to the surfaces of the benches for a while, but never found a composition that I was happy enough with to press the shutter.  With my Benched piece, that problem was overcome.  I liked the line that runs to and around the knot and, for aesthetic reasons, decided to place it diagonally so that it split the frame.  The center of the knot was placed near the bottom right one third crossing line, using the rule of thirds, but then bumped up and to the left a bit so that more of the diagonal line would remain in the frame.  The high level of captured detail allows rings and surface textures to be seen.

 

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Author: Steven Dillon

Discover behind-the-scenes details, aesthetic decisions, artistic visions, and compositional choices for my pieces in The Artist’s Story posts.

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