I Heart Nature
Hitchcock Woods is an amazing resource to have right in our city, and I’ve written about it in previous blog posts. That being said, I don’t usually hunt for subjects within it using my macro rig. But, this particular morning I didn’t have any luck finding something to point my camera at on the grounds of the Aiken County Historical Museum so I decided to hike down some of the horse trails to see what I could find.
The leaf in my I Heart Nature piece immediately drew me in primarily due to its shape. After all, the heart symbol is a universal ideograph that represents love, and, being a nature lover, I had a strong desire to capture a scene expressing that sentiment. I also found the greens quite attractive. In fact, one of my artistic goals was to find an angle that allowed me to fill the background with as much green as possible while avoiding the creation of darker brown areas where the dirt on the ground could be seen behind/under the leaves. Additional aesthetic concerns were leaf placement (both angle and position in the frame) as well as depth of field control. I put the leaf in the sensor on a diagonal so that it wouldn’t feel static or centered even though I gave the subject about the same amount of breathing room on either side and kept the distance from the top of the frame nearly equal to the space at the bottom. I sought as much detail as I could get in and on the leaf’s surface, but I also wanted the background to quickly fade away. When there is sufficient distance from the subject to the background, depth of field can be increased while maintaining good bokeh, but when objects in the background are close to the subject, you have to compromise. In this case, I had to open the lens incrementally until I found the right amount for this composition (i.e., where I was getting as much detail as possible from the subject while simultaneously decreasing features of the background leaves). This is another time where your camera’s depth of field preview really pays off because you can use it to dial in the setting while you observe the effect across your work. Even though I reduced the depth of field, the high level of captured detail allows surface texture to be seen.