Orangeburg Daylilies: Part 2
Part 2 is a continuation of the Orangeburg Daylilies posts from the Edisto Memorial Gardens In Orangeburg, South Carolina. To see works from or read The Artist’s Story for Part 1, click here.
After having seen the gorgeous oranges and reds in my Marmalade piece from several feet away, I could hardly wait to get the tripod moved and setup in front of this subject. My main objective was providing enough space above the anthers for those attractive colors to be on full display. Strangely enough, while I wasn’t concerned with the rule of thirds and didn’t even initially check the grid lines during framing, I actually put the anther farthest to the left on the lower, leftmost crossing line. Which made me wonder if I’m starting to intrinsically see and compose that way. I also liked the subtle blues in the anthers and their complementary blacks against the yellows. Surface textures and individual pieces of pollen can be seen thanks to the high level of detail.
The background of the daylily in Exquisite Fat was being backlit by the morning sun. Those golden tones lighting up the petals created an irresistible beacon that drew my eyes and attention right to it. I loved how the chicken fat along the petal edges, with their gorgeous colors, formed a V. I placed the anthers where they were lifted up off the bottom while keeping additional space above them because one of my primary artistic desires was getting as much as I could of the backlit petals in the frame. To ensure that I was able to sharply capture the anthers, focus stacking was used. The high level of detail allows surface textures and individual pieces of pollen to be seen.
My artistic vision for Fat Liner was to, once again, utilize the chicken fat as much as I could. I decided to place it along the edges of the frame so that it almost formed a border. I spent time adjusting angles and the distance from the lens to the subject until I felt I had maximized what the flower was able to give me while also considering the relative positions of the stamen. Just like everything else in photography, ultimately, it was about making compromises (i.e., giving up one thing to get something else). While not really caring where the anthers were with regard to the grid lines, using the rule of thirds, I got lucky with their placement. The bottom one third line cuts right through the main group of anthers, and the outlier touches the rightmost one third line. I also feel that I was fortunate in that the arcs created by the filaments share similarities with those in the petals.