Museum Lilies: Part 1
The big, back garden at the Aiken County Historical Museum has been a reliable source for lily subjects over the years, and this past season was equal to or better than any I’ve experienced. Perhaps the garden club that helps maintain it or the museum itself decided that you can’t go wrong with lilies when sprucing up the flora on your grounds. Whatever the case, I found many fantastic scenes during my late spring and early summer explorations.
I was attracted to the scene in my Forked piece by the luscious colors and the arrangement/design of the daylily anthers. My artistic vision was to add to my Naturally Abstract collection by featuring those qualities up close and personal. Composing at two times life-size produces such a shallow depth of field that nearly all of the details in the background dissolved down into colors and lines. Even the filaments tend to dissipate into the petal’s gorgeous tones which helps increase the abstract feel. I love creating artwork where something familiar can be transformed into shapes, lines, and colors while maintaining just enough depth to where surface textures and individual pieces of pollen can still be seen.
The colors in my Bonfire Party piece are what initially caught my attention. In fact, I reframed so that I could pull more of the yellows up into the left-hand corner. My artistic vision was to, once again, feature the anthers in their naturally colorful setting. And the background characteristics morphed into simple colors just as they previously did. Because of the angles of the anthers and how they are arched, in my mind’s eye they appeared to be leaning toward the flames of a blazing campfire as if they were setting around it enjoying the warmth. Individual pieces of pollen and surface textures are visible here too.
The bright colors of the lily in my Mellow Yellow piece brought me over to this scene, and I really liked the lighter, calm, toasted brown tones of the anthers. My artistic vision was to create a horizontally framed abstract anther composition, and I was pleased to find a group of stamen that worked well in that orientation. As per usual in these circumstances, the very shallow depth of field assured that the background was nearly devoid of any defining attributes (with the exception of the filaments). Even so, individual pieces of pollen and dew on the filaments can be seen.
I loved the background colors in my Long Tall Stamen piece. For me, the fiery yellows, oranges, and reds always provide a heightened level of excitement and enhanced zeal. I was also quite pleased with the design of the stamen group and how they come up into the frame. With the three front stamen being higher than the back three while having a nearly identical distance to the camera sensor, it increases the feeling of depth. My artistic vision was to place the spindly stamen nearly centered within the frame with their squiggly filaments lifting the anthers above the heat of the intense backdrop colors. Surface textures and pollen can be seen here as well.