I was attracted by the blues and purples in my Wet Hydrangea piece, and I had been wanting to create an abstract macro composition that featured hydrangea for a long time. I searched over several bushes in Hopeland Gardens until I found a group of petals that just felt right artistically. The foreground petals as well as the layers beneath them were nicely laid out, and the wet surfaces both enhanced the saturation and increased the abstract feel at the same time. To bring a little sense of order to the scene, I placed the bud in the center of the foreground petals so that the rightmost one third line, using the rule of thirds, nearly bisected it. That also allowed the leftmost foreground petal to remain within the frame, which was an important aesthetic concern since it is the subject’s most prominent attribute. I also really like the abstract designs from the reflections off the petal’s wet surface. Then I used the bud as my focal point to amplify its relative importance. Because of the bud’s height, that brought many of the dew drops scattered around the petals into the zone of sharpness. The high level of detail allows texture to be seen.
I don’t normally see two wandering Jew flowers growing so close to one another. In fact, this was the very first time I had ever seen a pair that had petals touching each other, and their proximity caused me to see a familiar pattern in my mind’s eye. Taken as a whole, the outside petals on both sides appear to create the shape of butterfly wings. I didn’t want the wings to feel centered in the frame, so I left a little more space above and on the right side of the petals. That caused the flowers to be placed in the frame where the left flower’s core/center is very near the lower, leftmost crossing line, using the rule of thirds. With the anthers scattered around in different groups as well as being considerably above the surface of the petals (especially considering the shallow depth of field), I selected the rope-like strands that grow out of the filaments as my focal point. That aesthetic decision simultaneously forced the anthers to be out of focus and enhanced the surface of the petals including the pollen that had fallen on them. The high level of detail allows texture, dew drops, and individual pieces of pollen to be seen.
As I had mentioned in my first post of the Orangeburg Daylilies series, I didn’t find any subjects on the east side of the rose gardens. So, as I was leaving, I decided to check out the west side. If I would have started on the west side, I don’t think I would have even discovered the daylilies because it had a whole lot more potential subjects in it with the possibility of keeping me busy the entire morning. The first one that grabbed my attention was the rose in Unfurling. I loved the colors, but the unusual shapes of the petals with their twists, arcs, and curves were almost as enticing. I placed the core or center of the flower so that the lower one third crossing line, using the rule of thirds, essentially bisected it. That allowed plenty of space above the interesting lines for the gorgeous colors to be displayed. By the time I had composed this, the wind had started to pick up and the light was getting harsh. I won’t let so much time pass between my next visit to the gardens and have already made plans for getting back there again soon.
My Meal Design piece consists of three basic components: a hibiscus leaf, sepal, and petal. I loved the design cut into the yellow leaf likely by some type of insect that had eaten it. I placed it in the frame so that the midrib would run diagonally while filling the bug holes with the colors of the petal behind it. With a bit of aesthetic luck, the ribs of the background petal were also running up the frame on diagonal lines. I couldn’t do much with the green sepal as it was connected to the petal, but I felt that it was fine adding just a touch of additional color to the lower corner. The high level of detail allows surface textures and individual fibers to be seen.
The flower in my Star Light piece was fairly large compared to the periwinkle I normally see. In fact, that is what caused me to stop and look at it more closely. And, I’m glad I did. I loved the little wheel looking object in the very center of the flower and the ample amount of yellow encircling it. I also liked how the white was shooting away from the center (i.e., beams of varying lengths that fade in intensity as they travel farther from the center) as if it was some type of light rays. The high level of detail allows surface textures to be seen.
I discovered the group of periwinkle in my Pink Pair just off the sidewalk as I was headed toward the patio area. I found them attractive because they were fresh and pretty. I loved the subtle pink tones in their petals and their gorgeous centers. I placed the right side flower’s center on the right most crossing line, using the rule of thirds, and used it as my focal point. Luckily both flower centers were nearly the same distance from the camera sensor which meant that the left side fell squarely into the zone of sharpness. The high level of detail allows individual hairs to be seen.
White blossoms on a small tree called to me from across the Rye Patch lawn. I’ve never seen a bloom like these in that area before, but I don’t think that it has been planted there for very long. In fact, the tree itself was only a couple of feet taller than I am. The honey bees just loved the flowers and were all over them. After more closely examining one, I loved the star shaped stigma surrounded by the bright orange and yellow anthers and filaments. For my Stigma Star composition, I utilized the stigma as my focal point and placed it on the right most line using the rule of thirds (just a little off center). I wanted to keep as many of the anthers in the frame as possible so the lens was moved slightly right to accommodate that aesthetic desire. The high level of detail allows surface textures on the stigma and anthers to be seen.
After successfully creating a macro version of one of the flowers, I wanted my Tree Flowers composition to show them blooming on the tree. I had to fight a bit more wind to get it, but luckily there was enough light to where I could keep my shutter speed under a second while maintaining a decent depth of field setting. Interestingly, it appears that only one of the flower’s petals has a fuzzy/furry edge. The high level of detail allows individual hairs (around a petal edge) and surface textures to be seen.
After having worked the Chocolate Garden, I returned to the Butterfly Garden to give it a better going over. I had basically picked the low hanging fruit in the morning, but after lunch, I didn’t feel as pressed for time. That allowed me to go a little slower, take additional time to examine more perspectives, and create multiple frames of any given subject. Luckily the shooting conditions were quite favorable for midday (i.e., I had a diffused sky with periods of rain and not too much wind). I loved the size and gorgeous red colors of the buds in my Butterfly Garden Buds composition. I maneuvered around them until I could find an angle that 1) allowed me to keep the buds separated, and 2) have them originate from the top right corner and come down and out into the frame. Thanks to the high level of detail, surface texture and a rain drop can be seen.
Of the images I created featuring the flower in my Diagonal piece, I liked this one the best. I had a couple of initial objectives for this composition. First, I concentrated on the anthers and used them as my focal point. Secondly, I wanted a petal to run diagonally across and down the frame from left to right with the sharp tip ending near the lower corner. While I had resolved those two intentions, I felt that it could be improved with an additional change. I believed that it would be artistically stronger to force the majority of the filaments to originate within the frame (that is, to make it possible to see where they were coming from vice entering the frame from outside of it). So, I found a perspective that brought them back while maintaining the aforementioned goals.
I concentrated on the structures above the unopened disc florets in my Slit composition. In my mind’s eye, the center area reminded me of an eyeball, and the opening it has brought to mind a pupil. It felt almost as if Mother Nature had created a flower that could look back at its admirers. I positioned the lens to where the diameter of the eye used just about the entire height of the frame while the first one third line (using the rule of thirds) runs right through the pupil nearly splitting it in half. That also allowed the disc florets to create a fuzzy ring around the eye and exposed some petals.
I was attracted to the flower in Enticed by how unique the center was. While the flower had a similar color scheme (the very cool pinks/purples that change to orange), the middle was unlike any of the other flowers. For example, there are no disc florets or the cool looking flame like structures. That made me wonder if it was a different flower type completely (planted within the area along the bathrooms at the Butterfly Garden because it had comparable colors) or perhaps some genetically altered version.
Confectionery is close to being a vertical companion to Enticed. It is the same flower, but the perspective was changed. I loved how the petals were layered so I pulled back from the flower a little to bring a bit more of them into the frame. The colors were so sweet that they made me think of candy.
The flower in my Attractive composition, once again, has a similar color scheme with another distinctive center. I loved how the petals were layered and overlap each other here as well (that makes it easy to fill the frame with very nice colors). I also liked the furry looking edges of the petals in the very center and the stubble at the bottom of the petals next to them. The high level of detail allows individual hairs to be seen.
I only had a couple of minutes to check things out at the Chocolate Garden before heading back to the car for lunch. I looked at a couple of compositions, but didn’t feel that I had enough time to create anything. So, after our picnic, the Chocolate Garden was the first place I headed to. Due to conditions and lighting changes, none of the ideas I had before lunch looked good upon my return. However, I did discover the flower in my Chocolate Garden Hibiscus piece. The flower itself was quite large, but it was really low and close to the ground. That made positioning the tripod fairly challenging, and I had to work at it for a few minutes before I was able to manipulate the legs into a suitable arrangement. Aesthetically, I wanted the pistil to come down and away from the center of the flower vertically. I placed the two lower stigma discs on the bottom one third line, using the rule of thirds, and used that area as my focal point. That allowed the crossing line to fall nearly at the center of the stigma and lifted the pistil up into the corner of the frame. The high level of detail allows individual pieces of pollen (on the stigma discs) and individual hairs (on the stigma stems) to be seen.
We took a picnic lunch over to the Swan Lake Iris Gardens in early July. I created and scouted in the morning, had lunch, and then continued creating after lunch with a little more scouting as well. I look forward to having an opportunity to shoot when the iris is in full bloom (perhaps this coming summer).
The lush oranges and the abstract pattern formed by the rolled up petals near the center attracted me to the flower in my Rolls piece. In my mind’s eye, the objects concentrated in the very center (and seeping around the tubes) looked like little red and orange flames. Their points and sharper edges are softened by the circles, arcs, and curves of the petals. Taken together, they create tension in the center that dissipates in waves that flow out into the frame as the petals become larger and open up after being released. The sharp points along the curved edges of the petals help strengthen that feeling.
My artistic goal for Vortex was all about capturing the pink and red structure that forms an arch above the unopened disk florets in the center of the flower. Perhaps because it has a hole in it or because the shapes are curved like they are being forcefully pulled toward the center, it brought to mind a whirling eddy. Upon closer examination, the sharp tips lining the opening reminded me of the Sarlacc pit in the desert of Tatooine in Star Wars Return of the Jedi. I placed the mouth near the left one third line, using the rule of thirds, and used it for the focal point. Shooting at two times life-size quite close to the subject, the depth of field was very shallow.
I discovered the hibiscus in Pink Tinge at the Butterfly Garden. It was quite large which initially got my attention all by itself. I liked how the flower had pink tones that were blended in with the whites of the petals. Of course, the water drops were a bonus and all but forced me to create a composition. I placed the stigma discs very near the lower right side crossing line, using the rule of thirds, and used them as the focal point. I felt that placement gave the center reds, pistil, and petals a nice circular flow both into and around the frame.
I had a couple of artistic goals for the zinnia in my Churn piece. First, I wanted to capture the ring of disc florets. But, being directly over the top of them wasn’t desirable because I preferred maintaining approximately the same amount of space to the frame edges and including more of the petals. So, to do that, I used a perspective that allowed more petal length while simultaneously compressing the ring. As I’ve previously posted, more often than not, photography is about compromises. With the distance to the subject being so close, the depth of field was very shallow, but the angle I used forced the disc florets to deflect away from the camera’s sensor. Which meant that they would quickly exit the zone of sharpness that begins just before the focal point on the left side. Secondly, I wanted the petals and the gaps between them to feel like they were shooting out like sunstar beams from behind the disc florets.
The periwinkle in Spinner was the first subject to beckon me over after putting my gear together in the Aiken County Historical Museum’s parking lot. The petals remind me of the blades on a windmill. In fact, they feel like they could have been in motion. Even the center white area with it’s frayed, jagged, and uneven edges that fade as they flow further out into the petals, provides a sense of movement. I loved the little yellow ring at the very center and the petal folds that break up the otherwise uniform gaps and provide additional visual interest. The high level of detail allows surface texture and furry looking little hairs to be seen.